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 WOW - it's now the 27th YEAR of Brain Damage, your Pink Floyd, David Gilmour, Nick Mason, Syd Barrett, Richard Wright and Roger Waters news resource!
Marking the 50th anniversary of Pink Floyd's iconic 1975 album, a range of Wish You Were Here 50 celebratory editions: deluxe box set, blu-ray, 3LP set, 2CD set and coloured vinyl single LPs came out at the end of last year. Full details here. The LA 1975 concert, recorded by Mike Millard and remastered by Steven Wilson, came out as a standalone item on 4LP for Record Store Day, and 2CD across most of the world.
The stunningly restored and remixed Pink Floyd At Pompeii MCMLXXII on Blu-ray, 2CD, 2LP, DVD, and digital was also released in 2025 - and is NOT to be missed. As is the 4K UltraHD edition out now!
Also last year, celebrating the concerts to coincide with David Gilmour's album, Luck and Strange, cinema/IMAX screenings, and a book, 2Blu-ray, 3DVD, 4LP, 2CD and deluxe box set options were also released and are getting very high praise.
The Nick Mason's Saucerful Of Secrets 2024 Set The Controls tour revealed a band in even better form than the 2022/23 shows which managed to exceed everyone's hopes and expectations! Our sincerest hopes are that they continue, but in the meantime, there's their RSD release, and the earlier live recording from London's Roundhouse on Blu-ray, DVD/2CD, and 2LP which is really excellent.
Of course, Roger Waters read three extracts from his memoirs in October 2023 at the London Palladium, so it might not be too much longer before that is published...he's also working on his new album based around The Bar - we'll let you know as soon as we get all the info! Before all that though is the release of Roger Waters This Is Not A Drill Live In Prague on 4LP vinyl, Blu-ray, DVD, 2CD and digital which is out now.
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Roger Waters talks The Wall with latest Billboard magazine |
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Written by Matt
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Tuesday, 24 July 2012 |
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 With the end of his 2012 Wall Tour looming at the time, Roger Waters spoke to the US magazine Billboard, and the interview, along with a very striking cover image drawn by Gerald Scarfe, is now published in this week's issue, hitting stores in the US tomorrow.
Excerpts from the interview can be seen here, and finds Roger talking expansively about The Wall. "In the intervening 33 years [since I wrote the piece], I've realized that because of the theatrical construction of the "wall" -- which was an idea that I had back in '77 because of my disaffection with big audiences and stadiums and all that -- the power of the metaphor lends the story a much more universal vision and appeal. So I've come to realize it's not about me -- it's about anybody that has suffered the loss of a loved one in some kind of conflict, whether it be war or something else. It's about the problems we all face with errant authority, or all the difficulties we all have in relationships with one another, whether they're sexual relationships or political/international relationships.
"That excited me about revisiting the piece, and in this most recent incarnation of it making a version that would work in stadiums and ballparks and football stadiums, which is ironic, because my starting point was my disaffection with that situation. But I've come to realize that not only does it work in big spaces, its appeal is such that people in big spaces feel intimately connected with the message."
"The irony is not lost on me. But I feel I've transcended the problems of the wall between me and the audience, so the piece is rock'n'roll theater at the highest level, and it expresses the existence of all the other walls that I've talked about: the walls of media, the walls of government, the walls of religion, the walls of all kinds of extremism, and all those walls that exist between human beings. It very powerfully tells the message."
The magazine with the full interview should be on US newsstands and stores from tomorrow, and in the UK and Europe can be bought from selected outlets as an import in due course, or ordered direct from Newsstand.co.uk who sell individual copies of magazines.
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