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Pink Floyd 1968WELCOME TO THE 26th YEAR OF BRAIN DAMAGE, YOUR PINK FLOYD, DAVID GILMOUR, NICK MASON, SYD BARRETT, RICHARD WRIGHT AND ROGER WATERS NEWS RESOURCE!

It's 2025! This year sees the 50th anniversary of Wish You Were Here, which is an incredible thought; where does the time go?!

The stunningly restored and remixed Pink Floyd At Pompeii MCMLXXII on Blu-ray, 2CD, 2LP, DVD, digital and cinema screenings are now here - with some more cinema screenings in selected places. However you experience it, it is NOT to be missed!

There's also been three Record Store Day releases released on April 12th, from David Gilmour, Nick Mason's Saucerful Of Secrets, and Roger Waters which are also definitely worth tracking down, either in a participating store, or online, now that RSD has finished.

Last year, David Gilmour's superb new album, Luck and Strange, was released in a variety of formats, and a selection of coloured vinyls. A limited number of concert dates thrilled crowds in Brighton and London, England, Rome, Italy, and Los Angeles and New York, USA. Rome shows were filmed for release and cinema/IMAX screenings, and a book, 2Blu-ray, 3DVD, 4LP, 2CD and deluxe box set options have now been announced.

The Nick Mason's Saucerful Of Secrets 2024 Set The Controls tour revealed a band in even better form than the 2022/23 shows which managed to exceed everyone's hopes and expectations! Our sincerest hopes are that they continue, but in the meantime, there's the RSD release, and the earlier live recording from London's Roundhouse on Blu-ray, DVD/2CD, and 2LP which is really excellent.

Of course, Roger Waters read three extracts from his memoirs in October 2023 at the London Palladium, so it might not be too long before that is published...he's also working on his new album based around The Bar - we'll let you know as soon as we get all the info! Before all that though is the release of Roger Waters This Is Not A Drill Live In Prague on 4LP vinyl, Blu-ray, DVD, 2CD and digital on August 1st!

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VERY BEST WISHES
- your friends at Brain Damage


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Preview of upcoming BBC specials on Pink Floyd Print E-mail
Written by Matt   
Sunday, 18 September 2011

Earlier this month we told you about the UK's BBC Radio 2 who have scheduled a range of Pink Floyd programming for their Autumn season.

Musicweek have been looking at what's coming up, and note that Pink Floyd pioneered certain modern business models. According to Steve Levine, the man behind the programme on producers, the band's management paid for studio time with Joe Boyd (who discovered Pink Floyd at the UFO Club) producing. "They were originally going to sign for Polydor and the management said, 'If we pay for studio time and we own masters we will make the decision of what to do'," said Levine. After the independent production of that single the band signed with EMI. He also noted that Floyd had "free use" of Abbey Road studios because they negotiated a slightly smaller percentage deal with EMI, in exchange for EMI paying for studio time. "That was very unusual for the time. These are very interesting models."

Levine and Allinson interviewed Gilmour at Astoria. The producer said: "The forthcoming focus on Pink Floyd will be one of our most revealing programmes yet. Gilmour talked at length about how the guitar sound is important in the band's music and how the various overdubs and unique production sounds and techniques make up the totality of a song – as well as stories about individual tracks".

Radio 2 and 6 Music controller Bob Shennan said: "This is one of the opportunities for us to do something I am really keen for Radio 2 to do – take an iconic artist or band, particularly one you don't get to hear that often on the radio, or certainly outside of the BBC, and really celebrate them, give them more depth. Rather than doing one-off documentaries we are trying to get really intelligent analysis as well as a celebration of the artists". He also revealed that talks were currently ongoing about bringing some of the Pink Floyd programming to sister station 6 Music.

Read more on this story over at Musicweek.com. Our thanks to Mark Jennings for the info.

 
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