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WOW - it's now the 27th YEAR of Brain Damage, your Pink Floyd, David Gilmour, Nick Mason, Syd Barrett, Richard Wright and Roger Waters news resource!
Marking the 50th anniversary of Pink Floyd's iconic 1975 album, a range of Wish You Were Here 50 celebratory editions: deluxe box set, blu-ray, 3LP set, 2CD set and coloured vinyl single LPs came out at the end of last year. Full details here. The LA 1975 concert, recorded by Mike Millard and remastered by Steven Wilson, came out as a standalone item on 4LP for Record Store Day, and 2CD across most of the world.
The stunningly restored and remixed Pink Floyd At Pompeii MCMLXXII on Blu-ray, 2CD, 2LP, DVD, and digital was also released in 2025 - and is NOT to be missed. As is the 4K UltraHD edition out now!
Also last year, celebrating the concerts to coincide with David Gilmour's album, Luck and Strange, cinema/IMAX screenings, and a book, 2Blu-ray, 3DVD, 4LP, 2CD and deluxe box set options were also released and are getting very high praise.
The Nick Mason's Saucerful Of Secrets 2024 Set The Controls tour revealed a band in even better form than the 2022/23 shows which managed to exceed everyone's hopes and expectations! Our sincerest hopes are that they continue, but in the meantime, there's their RSD release, and the earlier live recording from London's Roundhouse on Blu-ray, DVD/2CD, and 2LP which is really excellent.
Of course, Roger Waters read three extracts from his memoirs in October 2023 at the London Palladium, so it might not be too much longer before that is published...he's also working on his new album based around The Bar - we'll let you know as soon as we get all the info! Before all that though is the release of Roger Waters This Is Not A Drill Live In Prague on 4LP vinyl, Blu-ray, DVD, 2CD and digital which is out now.
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Nick Mason talks about Pink Floyd remaster programme in Stereophile |
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Written by Matt
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Sunday, 18 September 2011 |
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The well respected US audiophile publication Stereophile Magazine has a fascinating three page feature surrounding the upcoming Pink Floyd remaster release programme, in its highly anticipated October 2011 issue. Sought after in itself for its Recommended Components feature, the October edition of the magazine each year is a consistent quick seller.
In the magazine, in US stores now, and selected outlets worldwide as an import, feature writer Robert Baird chats to Nick Mason. Nick: "For a long time, we felt that actually there were enough out there, and that one was trying to milk the thing. My feeling now is that if you don’t release things, they'll be bootlegged anyway, and the people who are interested, really are interested. I'm over that thing of thinking we're milking everything. Now it's like, let's just release everything and let the people who are interested have it, listen to it, obsess. The argument tended to be about whether to release virtually everything that we've got, which is pretty well what we've done."
One of the many highlights of the DSOTM Immersion set is the recording of the 1974 Wembley show. They explain some of the background to this, why it sounds so good, and a surprising detail about Nick's drums. 'Though the concert was originally a BBC radio broadcast, the tape Andy Jackson worked from for the release came from a separate feed run to the Island Mobile recording unit parked outside the stadium. Jackson says that while the original multitrack tapes, overseen by the band's then studio engineer, Brian Humphries, were in fine physical condition, some heavy lifting was required. One kickdrum track was entirely unusable and had to be recreated from samples. He suspects the microphone on that drum had been pointed the wrong way.'
They also quiz Nick on how many Floyd live shows might be in the vaults. "We didn't [record live shows]. Not nearly enough. It's a great shame, really. We should have, absolutely should have. We never really discussed it. Again, it's a different world now..."
Our thanks to Lars Moestrup and Joseph Attalla for their help in this story.
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