Pink Floyd RSS News Feed

Main Menu

Home
Search
Latest News
Older News Archive
Concerts 1965-2021
Upcoming concerts
Upcoming releases
Roger Waters 2021
Nick Mason's SOS 2021
Nick Mason's SOS 2020
Nick Mason's SOS 2019
Nick Mason's SOS 2018
Roger Waters 2018
Roger Waters 2017
Roger Waters 2016
David Gilmour 2016
David Gilmour 2015
David Gilmour 2006
2013 WALL TOUR
2012 WALL TOUR
2011 WALL TOUR
2010 WALL TOUR
Roger Waters 2008
Roger Waters 2007
Roger Waters 2006
Group discography
Solo discography
Artwork Gallery
Downloads
Interviews
Reviews
Articles
Obituaries
Contact Us
About BD
Sitemap

Statistics

We have 4 guests online
Visitors: 72066853
Pink Floyd The Black Strat book by Phil Taylor
Nick Mason Inside Out signed copy
Brain Damage and A Fleeting Glimpse
Home arrow Older News Archive arrow Nick Mason talks about Pink Floyd remaster programme in Stereophile
Nick Mason talks about Pink Floyd remaster programme in Stereophile Print E-mail
Written by Matt   
Sunday, 18 September 2011

Stereophile, October 2011The well respected US audiophile publication Stereophile Magazine has a fascinating three page feature surrounding the upcoming Pink Floyd remaster release programme, in its highly anticipated October 2011 issue. Sought after in itself for its Recommended Components feature, the October edition of the magazine each year is a consistent quick seller.

In the magazine, in US stores now, and selected outlets worldwide as an import, feature writer Robert Baird chats to Nick Mason. Nick: "For a long time, we felt that actually there were enough out there, and that one was trying to milk the thing. My feeling now is that if you don’t release things, they'll be bootlegged anyway, and the people who are interested, really are interested. I'm over that thing of thinking we're milking everything. Now it's like, let's just release everything and let the people who are interested have it, listen to it, obsess. The argument tended to be about whether to release virtually everything that we've got, which is pretty well what we've done."

One of the many highlights of the DSOTM Immersion set is the recording of the 1974 Wembley show. They explain some of the background to this, why it sounds so good, and a surprising detail about Nick's drums. 'Though the concert was originally a BBC radio broadcast, the tape Andy Jackson worked from for the release came from a separate feed run to the Island Mobile recording unit parked outside the stadium. Jackson says that while the original multitrack tapes, overseen by the band's then studio engineer, Brian Humphries, were in fine physical condition, some heavy lifting was required. One kickdrum track was entirely unusable and had to be recreated from samples. He suspects the microphone on that drum had been pointed the wrong way.'

They also quiz Nick on how many Floyd live shows might be in the vaults. "We didn't [record live shows]. Not nearly enough. It's a great shame, really. We should have, absolutely should have. We never really discussed it. Again, it's a different world now..."

Our thanks to Lars Moestrup and Joseph Attalla for their help in this story.

 
< Prev   Next >
[ Back ]
Brain Damage on Facebook Follow Brain Damage on Twitter Brain Damage's YouTube channel
Pink Floyd Calendar

Next 30 concerts

Pink Floyd on iTunes
Donate to Brain Damage
Behind The Wall book
Pink Floyd: Backstage book
HeYou Floyd Fanzine - order details
www.Brain-Damage.co.uk - the Pink Floyd, Nick Mason, David Gilmour
and Roger Waters news & info site
All content except where noted otherwise is © Brain Damage/Matt Johns 2020.
Please see 'About Brain Damage' page for legal details and the small print!
Website generously designed and built by 3B Web Design