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WOW - it's now the 27th YEAR of Brain Damage, your Pink Floyd, David Gilmour, Nick Mason, Syd Barrett, Richard Wright and Roger Waters news resource!
Marking the 50th anniversary of Pink Floyd's iconic 1975 album, a range of Wish You Were Here 50 celebratory editions: deluxe box set, blu-ray, 3LP set, 2CD set and coloured vinyl single LPs came out at the end of last year. Full details here. The LA 1975 concert, recorded by Mike Millard and remastered by Steven Wilson, came out as a standalone item on 4LP for Record Store Day, and 2CD across most of the world.
The stunningly restored and remixed Pink Floyd At Pompeii MCMLXXII on Blu-ray, 2CD, 2LP, DVD, and digital was also released in 2025 - and is NOT to be missed. As is the 4K UltraHD edition out now!
Also last year, celebrating the concerts to coincide with David Gilmour's album, Luck and Strange, cinema/IMAX screenings, and a book, 2Blu-ray, 3DVD, 4LP, 2CD and deluxe box set options were also released and are getting very high praise.
The Nick Mason's Saucerful Of Secrets 2024 Set The Controls tour revealed a band in even better form than the 2022/23 shows which managed to exceed everyone's hopes and expectations! Our sincerest hopes are that they continue, but in the meantime, there's their RSD release, and the earlier live recording from London's Roundhouse on Blu-ray, DVD/2CD, and 2LP which is really excellent.
Of course, Roger Waters read three extracts from his memoirs in October 2023 at the London Palladium, so it might not be too much longer before that is published...he's also working on his new album based around The Bar - we'll let you know as soon as we get all the info! Before all that though is the release of Roger Waters This Is Not A Drill Live In Prague on 4LP vinyl, Blu-ray, DVD, 2CD and digital which is out now.
HOW TO HELP THE SITE: If you want to contribute anything - such as concert reviews, articles or pictures - we'd love to hear from you; please email us. A sincere note of thanks to those who use our affiliate links to Ticketmaster.com, Ticketmaster.co.uk, Seetickets.com, Eventim UK, the various Amazon stores (as an Amazon Associate we earn commission from qualifying purchases); Apple Music; Zavvi.com; HMV.com; and to those kind souls who make a Paypal donation toward running costs.
All these give much-needed help with things such as site hosting fees, and we really appreciate it. We get no funding, so every penny/cent helps keep the site running. Thanks! Finally, we use cookies to enhance your experience - but we use these purely to remember the size and width settings if you change these. External links may have their own cookies. By staying on our website you agree to our use of cookies. VERY BEST WISHES - your friends at Brain Damage
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Hipgnosis co-founder Aubrey Powell interviewed |
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Written by Matt
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Thursday, 23 May 2013 |
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The June 2013 issue of the UK's Creative Review magazine, which arrives in selected stores across Britain today, should catch the eye of most Pink Floyd fans.
The image used on the cover introduces their interview with Aubrey Powell of Hipgnosis, the legendary photo-design studio that created some of the most memorable album sleeves from the late 1960s to the early 80s. Following the untimely death of Hipgnosis co-founder Storm Thorgerson in April, Creative Review talked to Powell about the work the studio created from 1968 to 1983, and they were given a brief tour of the company archive which he is in the process of organising.
The sketch on the issue's cover is the "mechanical line drawn artwork" for The Dark Side of the Moon album, illustrated by George Hardie, and is what was sent to the printers of the gatefold design, complete with a series of hand-written notes that appear next to the artwork for the imagery of the back.
For Powell, the Dark Side sleeve changed everything for Hipgnosis. In fact, 1973, he says, became something of a classic year for the studio who went on to create the cover for Led Zeppelin's Houses of the Holy a few months later, and the magazine includes some exclusive images of that shoot. "It wasn't just that the design was unique," Powell recalls in their interview. "It's a very simple design, it's not very Hipgnosis, it's not photographic, but it was the combination of Pink Floyd at that time, plus the design [with] all the interior bits and pieces, a poster of the pyramids, the stickers. It was the combination of everything."
The interview is accompanied with exclusive images, and should be well worth tracking down an issue. It can be found in better retailers, being more of a specialist publication. However, you will shortly be able to order it online through this direct link. Our thanks to Steve Holt for letting us know about this magazine's feature.
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