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 WOW - it's now the 27th YEAR of Brain Damage, your Pink Floyd, David Gilmour, Nick Mason, Syd Barrett, Richard Wright and Roger Waters news resource!
Marking the 50th anniversary of Pink Floyd's iconic 1975 album, a range of Wish You Were Here 50 celebratory editions: deluxe box set, blu-ray, 3LP set, 2CD set and coloured vinyl single LPs came out at the end of last year. Full details here. The LA 1975 concert, recorded by Mike Millard and remastered by Steven Wilson, came out as a standalone item on 4LP for Record Store Day, and 2CD across most of the world.
The stunningly restored and remixed Pink Floyd At Pompeii MCMLXXII on Blu-ray, 2CD, 2LP, DVD, and digital was also released in 2025 - and is NOT to be missed. As is the 4K UltraHD edition out now!
Also last year, celebrating the concerts to coincide with David Gilmour's album, Luck and Strange, cinema/IMAX screenings, and a book, 2Blu-ray, 3DVD, 4LP, 2CD and deluxe box set options were also released and are getting very high praise.
The Nick Mason's Saucerful Of Secrets 2024 Set The Controls tour revealed a band in even better form than the 2022/23 shows which managed to exceed everyone's hopes and expectations! Our sincerest hopes are that they continue, but in the meantime, there's their RSD release, and the earlier live recording from London's Roundhouse on Blu-ray, DVD/2CD, and 2LP which is really excellent.
Of course, Roger Waters read three extracts from his memoirs in October 2023 at the London Palladium, so it might not be too much longer before that is published...he's also working on his new album based around The Bar - we'll let you know as soon as we get all the info! Before all that though is the release of Roger Waters This Is Not A Drill Live In Prague on 4LP vinyl, Blu-ray, DVD, 2CD and digital which is out now.
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New interview with Nick Mason for the New York Post |
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Written by Matt
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Tuesday, 23 April 2019 |
In the run-up to Nick Mason's Saucerful Of Secrets hitting the stage of the Beacon Theatre in New York City on Thursday/Friday, Nick spoke to the New York Post about the project, in an interesting and wide-ranging discussion.
Nick explained the philosophy behind the project: "You only have to wait for 15 minutes before another version of the greatest hits come 'round, whether it's Brit Floyd or the Australian Floyd or Roger [Waters] or David [Gilmour], and what I didn't want to do is get into a competition of who can do the closest to the original Comfortably Numb. What I wanted to do was something a lot freer than that that was sort of based in how we did do things 50 odd years ago, and that was sort of important that there’d be some freedom in the music rather than slavishly copying every single note that David did.."
"What's really nice about this is from the moment we started last year it was almost sort of going back in time,. It reminded me of all the really good times playing with Pink Floyd, in fact. It wasn't that I ended up playing it in a despondent way. I enjoyed it all the way through. It's sort of turning back the hands of time, really."
In the article, Mason says fans can expect a live Saucerful album, and while he has given up on a full-blown Floyd reunion, the band still remains a working entity in some ways, referring to the Pink Floyd Exhibition: Their Mortal Remains which Nick hints at a European city as its next stop, with a longer term view of taking it to America. He also talks about plans for remasters and mentions Animals as ripe for this process as "technically we sort of did it in our own studio and it's not quite up to the standard of an Abbey Road production." He also muses on the likelihood - or not - of a Floyd biopic, and suggests potential actors for key roles.
You can read the entire interview over at the New York Post website.
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