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 WOW - it's now the 27th YEAR of Brain Damage, your Pink Floyd, David Gilmour, Nick Mason, Syd Barrett, Richard Wright and Roger Waters news resource!
Marking the 50th anniversary of Pink Floyd's iconic 1975 album, a range of Wish You Were Here 50 celebratory editions: deluxe box set, blu-ray, 3LP set, 2CD set and coloured vinyl single LPs came out at the end of last year. Full details here. The LA 1975 concert, recorded by Mike Millard and remastered by Steven Wilson, came out as a standalone item on 4LP for Record Store Day, and 2CD across most of the world.
The stunningly restored and remixed Pink Floyd At Pompeii MCMLXXII on Blu-ray, 2CD, 2LP, DVD, and digital was also released in 2025 - and is NOT to be missed. As is the 4K UltraHD edition out now!
Also last year, celebrating the concerts to coincide with David Gilmour's album, Luck and Strange, cinema/IMAX screenings, and a book, 2Blu-ray, 3DVD, 4LP, 2CD and deluxe box set options were also released and are getting very high praise.
The Nick Mason's Saucerful Of Secrets 2024 Set The Controls tour revealed a band in even better form than the 2022/23 shows which managed to exceed everyone's hopes and expectations! Our sincerest hopes are that they continue, but in the meantime, there's their RSD release, and the earlier live recording from London's Roundhouse on Blu-ray, DVD/2CD, and 2LP which is really excellent.
Of course, Roger Waters read three extracts from his memoirs in October 2023 at the London Palladium, so it might not be too much longer before that is published...he's also working on his new album based around The Bar - we'll let you know as soon as we get all the info! Before all that though is the release of Roger Waters This Is Not A Drill Live In Prague on 4LP vinyl, Blu-ray, DVD, 2CD and digital which is out now.
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Waters interviewed on Jools Holland's show |
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Written by Matt
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Friday, 25 November 2005 |
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Roger Waters, as part of his
exhaustive publicity work to promote his opera, Ça Ira, was interviewed
on the well-respected, late night UK music TV show, Later With Jools
Holland, last night (25th November).
Recorded on Tuesday (22nd
November) at the BBC's London studios, the interview was reasonably
brief, lasting five minutes, but interesting, nonetheless. It focused
on the inevitable topics of the opera, and the Live 8 Pink Floyd
reunion.
One particularly interesting bit
was shown half way through, when a clip of the 1967 "Tomorrow's World"
sequence was shown. This was longer than has been seen in recent years,
and included extra moments of the improvisational music the band
created to accompany Mike Leonard's light projections.
The interview started with Jools
waxing lyrical about Ça Ira, and drawing parallels to the present day.
Roger: "Oh yes, France in flames in the suburbs, yes..." He talked of
the genesis of the project, and the personnel involved - both on the
recording, and at the recent Rome shows.
Jools then asked if it was
easier, or harder, working with an 80 piece orchestra than working with
Pink Floyd, to which Roger replied that Pink Floyd was always "an
absolute doddle!"
Roger dismisses the differences
between the classical world and rock world, stating that "music is
music... any musician's brief is to try and create an emotional
response in whoever's listening to it, and express our truth. And
whether you do that with a palette of a symphony orchestra, and a bunch
of singers, or with a pop group, doesn't seem to me to make much of a
difference."
To wrap things up, Jools asked the inevitable:
Jools: Is there any likelihood of Pink Floyd getting back together again?
Roger: I mean, I see no reason why we shouldn't; as I say, it was enormously enjoyable that day [Live 8] and uh...
Jools: Did the others enjoy it as well?
Roger: Yeah I think so, yeah, um... yeah, they did enjoy it. I don't think so, I KNOW they enjoyed it!
Jools: So you did enjoy it, so the gauntlet's gone down, um, this studio is available for you...
Roger: It was like, yeah, it was a bit like slipping on an old glove.
No, I seriously... the first day we rehearsed, y'know we sort of
wandered in and started playing Breathe or something and it, it
immediately felt kind of comfortable. It was good, it was fun.
Our thanks to Gem and Gary Holderness at the BBC, for their help with this story.
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