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Pink Floyd 1968WOW - it's now the 27th YEAR of Brain Damage, your Pink Floyd, David Gilmour, Nick Mason, Syd Barrett, Richard Wright and Roger Waters news resource!

Marking the 50th anniversary of Pink Floyd's iconic 1975 album, a range of Wish You Were Here 50 celebratory editions: deluxe box set, blu-ray, 3LP set, 2CD set and coloured vinyl single LPs came out at the end of last year. Full details here. The LA 1975 concert, recorded by Mike Millard and remastered by Steven Wilson, came out as a standalone item on 4LP for Record Store Day, and 2CD across most of the world.

The stunningly restored and remixed Pink Floyd At Pompeii MCMLXXII on Blu-ray, 2CD, 2LP, DVD, and digital was also released in 2025 - and is NOT to be missed. As is the 4K UltraHD edition out now!

Also last year, celebrating the concerts to coincide with David Gilmour's album, Luck and Strange, cinema/IMAX screenings, and a book, 2Blu-ray, 3DVD, 4LP, 2CD and deluxe box set options were also released and are getting very high praise.

The Nick Mason's Saucerful Of Secrets 2024 Set The Controls tour revealed a band in even better form than the 2022/23 shows which managed to exceed everyone's hopes and expectations! Our sincerest hopes are that they continue, but in the meantime, there's their RSD release, and the earlier live recording from London's Roundhouse on Blu-ray, DVD/2CD, and 2LP which is really excellent.

Of course, Roger Waters read three extracts from his memoirs in October 2023 at the London Palladium, so it might not be too much longer before that is published...he's also working on his new album based around The Bar - we'll let you know as soon as we get all the info! Before all that though is the release of Roger Waters This Is Not A Drill Live In Prague on 4LP vinyl, Blu-ray, DVD, 2CD and digital which is out now.

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The Wall tour animator gives background to the stunning graphics Print E-mail
Written by Matt   
Thursday, 14 October 2010

Roger Waters - The Wall tour - Empty Spaces animationMusic promo director Ben Ib has reimagined Gerald Scarfe's animations for Roger Waters' epic concert tour of The Wall, which takes in 110 shows both sides of the Atlantic. On the DigitalArtsOnline website, he talks about how he created the scenes for use at a massive scale, using CGI to expand and enhance Scarfe's well-known images.

Ib's work can be seen on Empty Spaces, Run Like Hell and Goodbye Blue Sky. Ib said: "The Wall album is unique in that it's visual identity goes hand in hand with it's musical identity. This was always going to be the starting point. But it was also important to give the work a real punch, something different, something that the audience hadn't seen before."

It's a fascinating look at quite a unique design project, which can be read through this link. It includes some of the alternate, rejected ideas, along with some of the finished frames of animation. By the sound of it, Ib had a great time working on The Wall: "The screen really is huge. This is the real difference with working on a live show as opposed to a music video. You can see first hand evidence of the visuals really exciting the audience, really adding to the show. Often too much screen time can water down a performance, but, seeing the show, in this case the fans are genuinely hungry for it, and to have the privilege of feeding their hunger is a great position to be in."

 
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