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 WOW - it's now the 27th YEAR of Brain Damage, your Pink Floyd, David Gilmour, Nick Mason, Syd Barrett, Richard Wright and Roger Waters news resource!
Marking the 50th anniversary of Pink Floyd's iconic 1975 album, a range of Wish You Were Here 50 celebratory editions: deluxe box set, blu-ray, 3LP set, 2CD set and coloured vinyl single LPs came out at the end of last year. Full details here. The LA 1975 concert, recorded by Mike Millard and remastered by Steven Wilson, came out as a standalone item on 4LP for Record Store Day, and 2CD across most of the world.
The stunningly restored and remixed Pink Floyd At Pompeii MCMLXXII on Blu-ray, 2CD, 2LP, DVD, and digital was also released in 2025 - and is NOT to be missed. As is the 4K UltraHD edition out now!
Also last year, celebrating the concerts to coincide with David Gilmour's album, Luck and Strange, cinema/IMAX screenings, and a book, 2Blu-ray, 3DVD, 4LP, 2CD and deluxe box set options were also released and are getting very high praise.
The Nick Mason's Saucerful Of Secrets 2024 Set The Controls tour revealed a band in even better form than the 2022/23 shows which managed to exceed everyone's hopes and expectations! Our sincerest hopes are that they continue, but in the meantime, there's their RSD release, and the earlier live recording from London's Roundhouse on Blu-ray, DVD/2CD, and 2LP which is really excellent.
Of course, Roger Waters read three extracts from his memoirs in October 2023 at the London Palladium, so it might not be too much longer before that is published...he's also working on his new album based around The Bar - we'll let you know as soon as we get all the info! Before all that though is the release of Roger Waters This Is Not A Drill Live In Prague on 4LP vinyl, Blu-ray, DVD, 2CD and digital which is out now.
HOW TO HELP THE SITE: If you want to contribute anything - such as concert reviews, articles or pictures - we'd love to hear from you; please email us. A sincere note of thanks to those who use our affiliate links to Ticketmaster.com, Ticketmaster.co.uk, Seetickets.com, Eventim UK, the various Amazon stores (as an Amazon Associate we earn commission from qualifying purchases); Apple Music; Zavvi.com; HMV.com; and to those kind souls who make a Paypal donation toward running costs.
All these give much-needed help with things such as site hosting fees, and we really appreciate it. We get no funding, so every penny/cent helps keep the site running. Thanks! Finally, we use cookies to enhance your experience - but we use these purely to remember the size and width settings if you change these. External links may have their own cookies. By staying on our website you agree to our use of cookies. VERY BEST WISHES
- your friends at Brain Damage
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Roger Waters - The Wall on Broadway update |
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Written by Matt
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Sunday, 08 May 2005 |
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Yesterday's New York Post featured an interview with Roger Waters, conducted by Jamie Schram, in which the former Pink Floyd frontman gave some more updates on the Broadway adaptation of the 1979 classic, The Wall.
You will recall that recently, Brain Damage's Elliot Tayman bumped into Roger outside one of Nick Mason's book signings. Elliot asked him about progress on the adaptation, and Roger told him that it was looking to be a year away.
The New York Post interview went into more depth than Elliot was able to, with Roger en route to a dinner appointment with Nick. The full interview is an interesting update on the production.
Roger's responses cover the development of the musical (and includes a primer on the basic storyline for those unfamiliar with the original piece), some of the songs that might appear in the final version of the stageplay, and the direction he is taking the work.
"My motivation is primarily that both the record and film, proud of them as I am, well, they have depth. They endure. There are no laughs anywhere. There are not many jokes. Humor is very important part of my life. I think it's a part of the life of the central character in the film, Pink. There will be a lot more humor in the Broadway version. ...I think we're trying to illuminate another side of Pink's personality. He was kind of hard to empathize with in the movie. And if you can't empathize with him, he can't help you to understand life."
Roger expresses his excitement at the staging of the show, in a permanent venue, allowing him to "get the lighting and the special effects really perfect". But at the same time, he reveals his nervousness at the project - his desire to get it right, and bring new life to it, as he feels: "the message - what "The Wall" is saying to us - is still important to us 20 years later..."
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