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Pink Floyd 1968WOW - it's now the 27th YEAR of Brain Damage, your Pink Floyd, David Gilmour, Nick Mason, Syd Barrett, Richard Wright and Roger Waters news resource!

Marking the 50th anniversary of Pink Floyd's iconic 1975 album, a range of Wish You Were Here 50 celebratory editions: deluxe box set, blu-ray, 3LP set, 2CD set and coloured vinyl single LPs came out at the end of last year. Full details here. The LA 1975 concert, recorded by Mike Millard and remastered by Steven Wilson, came out as a standalone item on 4LP for Record Store Day, and 2CD across most of the world.

The stunningly restored and remixed Pink Floyd At Pompeii MCMLXXII on Blu-ray, 2CD, 2LP, DVD, and digital was also released in 2025 - and is NOT to be missed. As is the 4K UltraHD edition out now!

Also last year, celebrating the concerts to coincide with David Gilmour's album, Luck and Strange, cinema/IMAX screenings, and a book, 2Blu-ray, 3DVD, 4LP, 2CD and deluxe box set options were also released and are getting very high praise.

The Nick Mason's Saucerful Of Secrets 2024 Set The Controls tour revealed a band in even better form than the 2022/23 shows which managed to exceed everyone's hopes and expectations! Our sincerest hopes are that they continue, but in the meantime, there's their RSD release, and the earlier live recording from London's Roundhouse on Blu-ray, DVD/2CD, and 2LP which is really excellent.

Of course, Roger Waters read three extracts from his memoirs in October 2023 at the London Palladium, so it might not be too much longer before that is published...he's also working on his new album based around The Bar - we'll let you know as soon as we get all the info! Before all that though is the release of Roger Waters This Is Not A Drill Live In Prague on 4LP vinyl, Blu-ray, DVD, 2CD and digital which is out now.

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Pink Floyd/David Gilmour booking agent Neil Warnock talks mega-gigs Print E-mail
Written by Matt   
Saturday, 13 June 2015

The GuardianNeil Warnock, founder and worldwide president of The Agency Group, booking agents which represents some 2,500 artists worldwide including The Rolling Stones, Pink Floyd (when they were touring) and David Gilmour, has shared some of his experiences with the UK's Guardian newspaper. With his extensive experiences - first putting on a show at age 17 - and with such a roster of artists, the article ("How to put on a mega-gig") gives some fun and fascinating insights into putting on some of the largest shows the world of music has seen.

Included are some of his recollections of working with Gilmour and the Floyd - such as this from the band's late 80s shows. "Once, with Pink Floyd in Italy, we couldn't get their mirrorball into the stadium. We couldn't drop it in by crane – which we'd done before – because the streets were too narrow to get a giant crane down. The only way was to destroy the entrance where the footballers walk in. We destroyed it, got the mirrorball in, did the show, rebuilt it and got out. The fans had no idea. Neither did the stadium until we did it, but they were very happy – they had Pink Floyd."

Elsewhere he talks of the 1988 Versailles shows, and the 2006 Venice shows that Gilmour had to postpone for a week after a technical issue with the stage structure. To read the article in full, visit this link at the Guardian.

 
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