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 WOW - it's now the 27th YEAR of Brain Damage, your Pink Floyd, David Gilmour, Nick Mason, Syd Barrett, Richard Wright and Roger Waters news resource!
Marking the 50th anniversary of Pink Floyd's iconic 1975 album, a range of Wish You Were Here 50 celebratory editions: deluxe box set, blu-ray, 3LP set, 2CD set and coloured vinyl single LPs came out at the end of last year. Full details here. The LA 1975 concert, recorded by Mike Millard and remastered by Steven Wilson, came out as a standalone item on 4LP for Record Store Day, and 2CD across most of the world.
The stunningly restored and remixed Pink Floyd At Pompeii MCMLXXII on Blu-ray, 2CD, 2LP, DVD, and digital was also released in 2025 - and is NOT to be missed. As is the 4K UltraHD edition out now!
Also last year, celebrating the concerts to coincide with David Gilmour's album, Luck and Strange, cinema/IMAX screenings, and a book, 2Blu-ray, 3DVD, 4LP, 2CD and deluxe box set options were also released and are getting very high praise.
The Nick Mason's Saucerful Of Secrets 2024 Set The Controls tour revealed a band in even better form than the 2022/23 shows which managed to exceed everyone's hopes and expectations! Our sincerest hopes are that they continue, but in the meantime, there's their RSD release, and the earlier live recording from London's Roundhouse on Blu-ray, DVD/2CD, and 2LP which is really excellent.
Of course, Roger Waters read three extracts from his memoirs in October 2023 at the London Palladium, so it might not be too much longer before that is published...he's also working on his new album based around The Bar - we'll let you know as soon as we get all the info! Before all that though is the release of Roger Waters This Is Not A Drill Live In Prague on 4LP vinyl, Blu-ray, DVD, 2CD and digital which is out now.
HOW TO HELP THE SITE: If you want to contribute anything - such as concert reviews, articles or pictures - we'd love to hear from you; please email us. A sincere note of thanks to those who use our affiliate links to Ticketmaster.com, Ticketmaster.co.uk, Seetickets.com, Eventim UK, the various Amazon stores (as an Amazon Associate we earn commission from qualifying purchases); Apple Music; Zavvi.com; HMV.com; and to those kind souls who make a Paypal donation toward running costs.
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Gerald Scarfe: "With Pink Floyd there was no personality cult" |
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Written by Matt
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Wednesday, 07 September 2016 |
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 Tying in with the announcement of Gerald Scarfe's upcoming exhibition at London's Barbican, he has been interviewed for the UK's The Big Issue magazine, available now in most cities and towns across the country. The Big Issue is a weekly publication, sold by homeless and long-term unemployed people. Vendors buy copies for £1.25 and sell for £2.50, and as Big Issue puts it, "They are working, not begging".
The interview covers a range of topics, including education (where his views have some alignment with Roger Waters), but starts with his impressions of Pink Floyd. "When I first worked with Pink Floyd I was puzzled by their music. It was Dark Side of the Moon at that time. They invited me to The Rainbow in Finsbury Park where they were performing and I found it theatrically very thrilling. Finally, I found my way into inventing my own world that would run alongside their world.
"Roger Waters, who was the main instigator on the visual side, and I talked about it but he never suggested anything visually. He really wanted me to do the social and political comment I do anyway because a lot of their work is a reflection of where we all are. The hammer is obviously a force of oppression, a fascist force, controlling, and very, very hard. Naturally I thought, what's the implement and the object that is the most unforgiving and brutal, and a hammer came to mind."
Later, he compares The Rolling Stones with the Floyd. "With Pink Floyd there was no personality cult like there was with Mick and Keith. When you went to their concerts the lights would go down and they'd melt onto stage – they'd suddenly be there. The first night they played The Wall at Earl's Court in 1980, when my animation of the flowers making love (the 'f***ing flowers' as they're now called) came on there was a huge roar from the audience and I felt this amazing rush. I remember Roger came over and said: "That’s you they're cheering. You're a rock'n'roll star now!"
Read the interview in full through this link at BigIssue.com.
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